KILN I [2014/17]

contrabass clarinet, euphonium, & percussion [36’]

commissioned by Ensemble Musikfabrik; subsequently rewritten in 2017 for the ELISION Ensemble & Line Upon Line

included in the evening-length concert-installation KILN

performance history

9/15/2023 - MAM.manufaktur für aktuelle musik. km28. Berlin, Germany.

11/8/2019 - wasteLAnd. Art Share LA. Los Angeles, CA.

10/24/2017 - ELISION Ensemble & Line Upon Line. Southwestern University. Georgetown, TX.

6/21/2016 - Musikfabrik. House Concert. KOMED-Haus. Cologne, Germany.

program note

KILN I attempts to impart the form taken by molten materials after they have fused together and ossified into a solid object. The piece is about the forces that impose influence upon objects and jettison them into assemblages and relations with other objects. The work seeks to expose a sonic granularity, a withdrawn sonic vitality, residing not only within objects, but also within the very friction created by their collision. 

The work is based on ceramic artist Nishida Jun's sculpture Zetsu #8, in which various materials are allowed to melt into each other and assume varied states of alteration within the extreme conditions of the kiln. With Jun's work, the formed object carries traces of the forces incubated within the kiln; the effects of time, temperature and pressure are acutely present upon and embedded within the work. 

KILN I ventures to create a sonic form similar to Jun's sculpture. Elements are kept distinct while melting into each other; phrases are left incomplete or are interrupted by massive intrusions of other material, yet there is an undeniable continuity permeating the entire piece; the instruments retain distinct voices while occasionally being caught in each others' orbit; the textures at play within the piece are both anemic and highly detailed. Just as within Jun's kiln, time, pressure and the collision of forces press down upon the materials in a quiet, devastating turbulence.